When starting your journey as a library music composer, you’ll need to write a bunch of tracks in preparation to send to prospective libraries. You know one of the biggest challenges about writing library music for sending to these companies before they’ve shown any interest? Finishing. I know that if you’re anything like me, finishing …
You’re probably looking at the title of this post and thinking: “Both.” And in an ideal world, you’d be right. You’d pump out a large quantity of stunning music each month. Or each week. Yet for most of us, our higher quality tracks take us longer to write and produce than some of the other …
Towards the end of 2018 I was a panelist and mentor at a Film and TV composers convention in Los Angeles, California. The panel I had spoken on were critiquing tracks that were played for us at random from audience members and also talking to them of the suitability of these tracks for Production Music …