If you’re wanting to get your music into production music libraries for film and TV placement, you can’t just write a few tracks across a couple of genres and send them out. That’s unlikely to get you a deal these days, as this industry gets more and more competitive. You’ve got to take a much …
This blog post contains a great technique that SO MANY top Library composers use. And you can apply it too. As you may know, I’m personally not a huge fan of composers buying every sample library under the sun. Yes, keep your samples relevant and of the highest quality you can afford, but you’re at …
I just came across an image that made me smile: Doesn’t it feel like that for us all sometimes?! Ha ha. There’s food for thought here though. The interesting thing regarding writing music for income, is that whilst you’ve got to enjoy the process of writing it of course, it doesn’t have …
Wouldn’t it be great if you could know what kind of music Music Libraries were looking for and, even better, to be able to do that without even asking them? With the Music Library I co-own, you’d be surprised how little we’re asked what kind of music we’re looking for. Most people just send a …
There is a thing, that 80% of composers that are trying to get their music into Music Libraries overlook. If you’re trying to get Production Music placed into Music Libraries yourself and you overlook this one aspect, most Music Libraries are unlikely to take your tracks. Even if they do accept them, you’re usually going …