You’re probably looking at the title of this post and thinking: “Both.” And in an ideal world, you’d be right. You’d pump out a large quantity of stunning music each month. Or each week. Yet for most of us, our higher quality tracks take us longer to write and produce than some of the other …
Towards the end of 2018 I was a panelist and mentor at a Film and TV composers convention in Los Angeles, California. The panel I had spoken on were critiquing tracks that were played for us at random from audience members and also talking to them of the suitability of these tracks for Production Music …
I went to visit my friend Matt last week in his home studio in Brooklyn. Matt is a really accomplished Library Music writer. He’s always working on several projects, usually for a handful of great Libraries. They pay him good upfront fees for his tracks, (typically $600 to $800 at the time of writing this …